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Books
Studies in Medieval Culture
Early Drama, Art, and Music Series
Richard Rawlinson Center Series
Non-Series Volumes
Journals
Studies in Iconography
Medieval Prosopography
Old English Newsletter and Subsidia
Yearbook of Langland Studies
TEAMS
Commentary Series
Documents of Practice
Medieval German Text in Bilingual Editions
Middle English Text Series
Varia
Distribution
In cooperation with Comparative Drama
In cooperation with New Issues Press
In cooperation with The Nordic Institute of Folklore
Lectures on Medieval Judaism, Trinity University
Morton W. Bloomfield Lectures, Harvard University
Studies in Iconography
Richard K. Emmerson, Medieval Academy of America, Editor
Pamela Sheingorn, Baruch College and Graduate Center, CUNY, Editor
Adelaide Bennett Hagens, Index of Christian Art, Princeton University, Book Review Editor
Editorial Board
Michael Curschmann, Princeton University
Clifford Davidson, Western Michigan University
Huston Diehl, University of Iowa
Lois Drewer, Index of Christian Art, Princeton University
Colum Hourihane, Index of Christian Art, Princeton University
Sylvia Huot, Cambridge University
Jane Campbell Hutchinson, University of Wisconsin, Madison
Natalie Kampen, Bernard College
Dale Kinney, Bryn Mawr College
James M. Saslow, Queens College and Graduate Center
Studies in Iconography is an annual that contains original essays that study the visual culture of the period before 1600. Each volume includes an overview of scholarship on a topic of current interest, approached from an interdisciplinary and/or theoretical perspective; five to seven articles that often highlight interdisciplinary concerns; and six to ten in-depth reviews of important recent scholarly books, facsimilies, and catalogues. Beginning with Volume 22 (2001) it will be produced in collaboration with the Index of Christian Art, Princeton University.
The editors especially encourage essays that explore newer approaches developed in areas such as semiotics, cultural anthropology, gender studies, ideological critique, and social history as well as those that incorporate the perspectives of the new art history, the new historicism, and other histories of representation.
Essays and reviews in Studies in Iconography are of value to scholars in ancient, Byzantine, medieval, and early modern studies, particularly to those interested in interdisciplinary inquiry and in scholarship based on various disciplinary and theoretical approaches.
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